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Under the Skin, Biological Transformations in Contemporary Art

Cet ouvrage regroupe les transformations, manipulations et constructions conçues par des artistes dans les années 1990, pour lesquelles ils ont utilisé les mêmes techniques et méthodes, mais ont été aussi confrontés aux mêmes risques, que ceux de la biologie moderne et de la génétique.

— Auteurs : Werner Bartens, Christoph Brockhaus, Cornelia Brüninghaus-Knubel, Söke Dinkla, Renate Heidt Heller
— Éditeur(s) : Ostfildern, Hatje Cantz Verlag
— Année : 2001
— Format : 21 x 27 cm
— Illustrations : 74 dont 70 en couleurs
— Page(s) : 136
— Langue(s) : anglais, allemand
— ISBN : 3-7757-9071-3
— Prix : 25 €

Présentation

Although the techniques of biotechnology have already widely infiltrated our everyday lifes, we only ever seem to react to (food) scandals that affect our immediate environment. Contemporary artists, on the other hand, have over the last ten years and more shown a much greater sensitivity towards developments in biotechnology. They have produced images of humans and animals that can be as abstract and fantastical as they are grotesque and monstrous — images that both attract and repel, which may seem clear yet are confusing because they question the fundamental relationship between body and mind, unsettling our accepted notions of what we are.

With sculptures, installations, photographs, videos and electronic pieces by 17 internationally renowned artists — including Jake & Dinos Chapman, Ken Feingold, Thomas Grünfeld, Via Lewandowsky, Tony Oursler and Cindy Sherman.

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